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18 Jan 10 “Mama Mia!” – A Fun Film – Becomes the Highest Grossing Movie Musical in History

Copyright © 2009 Ed Bagley

Mamma Mia! – 3 Stars (Good)

Every now and then a movie comes along that makes no pretense of featuring great acting, singing, directing and writing, but seeks to be only what it is—just plain fun! The most recent of these rare movies is “Mamma Mia!”, released in 2008.

Based on Abba’s hit single of the same name, Mamma Mia! first opened as a musical at the Prince Edward Theatre in London in 1999. The original Broadway production opened in 2001 at the Winter Garden Theater in New York, and has run for more than 3,100 performances through April of this year. It has now toured in more than 140 cities in America.

Mamma Mia! was nominated for Best Musical and Best Musical Score at the 2002 Tony Awards. The director of the original Broadway play, Phyllida Lloyd, is also the director of the movie. The musical book and screenplay are both by Catherine Johnson.

According to Variety, Producer Judy Craymer and writer Catherine Johnson “were broke when they first tried to put the show together . . . and now are two of the wealthiest women in England.”

That would be because Mamma Mia! set a new mark for the biggest weekend premiere ever for a movie musical–$27+ million. It also became the highest grossing film of all time in the United Kingdom, and would go on to become the highest grossing musical film worldwide, generating $610+ million with a production budget of $52 million.

Combine the movie with the stage productions and Mamma Mia! has grossed $2 billion in revenue since opening in 1999. Much of the success has to do with Abba, the Swedish pop/dance group that became one of the most internationally popular entertainment attractions from 1972 to 1982. If you do not recognize Abba, you would recognize its music.

Mamma Mia! is a treasure trove of Abba music composed by Benny Andersson and Bjorn Ulvaeus, and includes “Dancing Queen”, “Super Trouper”, Knowing Me, Knowing You”, “Take a Chance On Me”, “Thank You for the Music”, “Money, Money, Money”, “The Winner Takes It All” and “I Have a Dream”.

Mamma Mia! takes place on a Greek Island where the never-married Donna (Meryl Streep) runs a not very successful hotel with her daughter Sophie (Amanda Seyfried), who is about to be married to Sky (Dominic Cooper). Donna invites her two best friends to the wedding—Rosie (Julie Walters) and Tanya (Christine Baranski); the three of them formed a trio on stage at one time.

Sophie, who has never known who her father is (her mother doesn’t know either), finds her mother’s diary from 20 years ago and discovers that her mother was intimate with three young men at that time—Sam Carmichael (Pierce Brosnan), Harry Bright (Colin Firth) and Bill Anderson (Stellan Skarsgard), one of whom is her father. Not knowing which one, she invites all three to her wedding and her mother has a fit. See the movie for how it all gets resolved.

Despite getting Golden Globe nominations for Best Picture and Best Actress (Meryl Streep, who else would it be?), Mamma Mia! took a lot of hits at review time, not the least of which was “this must be the only musical in movie history made up almost entirely of people who can’t sing”. It is true that the film did not benefit from having the cast perform its own musical numbers.

Mamma Mia! did not win any major awards worth talking about, but the excellence of Abba’s music and the fun atmosphere of the presentation cannot be denied, which is why I gave it a 3-star (good) rating rather than 2-star (average) rating.

I would rather not hear Pierce Brosnan sing again. You can say anything you want about Meryl Streep, but remember this: She has been nominated as Best Actress or Best Supporting Actress for 14 Academy Awards and has won 2 Oscars, and she also has been nominated for 21 Golden Globe Awards and won 5 times, more than any other actor in the history of either award show.

Don’t fight it, if you want some fun entertainment, see Mamma Mia!

Read more of my movie reviews on films with a lot of substance, depth and feeling, including:
“A Christmas Story” – “My Big Fat Greek Wedding” – “Secondhand Lions” – “The Chorus (Les Choristes in French)” – “Waking Ned Devine” – “Chariots of Fire” – “Steel Magnolias” – “Chocolat” and “Radio”
These are all excellent films.
Find my articles at:
http://www.edbagleyblog.com
http://www.edbagleyblog.com/MovieReviews.html

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18 Jan 10 The Titanic Movie Trailer

LEONARDO DICAPRIO APPEARED IN THIS MOVIE IN THE YEAR 1997/I LOVE THIS MOVIE.

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18 Jan 10 TITANIC MOVIE TRAILER

WATCH MOVIE ONLINE: www.bangvideobang.com

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18 Jan 10 Yuvvraaj Movie Review; Movie Review of Yuvvraaj

Sweeping locales, classy music, good performances and good story line(after a long time) work in Yuvvraaj’s favor. Yuvvraaj is a movie high on drama and visuals. After three back to back debacles in Yaadein, Kisna and Black and White, director Subash Ghai seems to have found his old, classic touch.

Story of Yuvvraaj:: Yuvvraaj is a movie which upholds the good old virtues of brotherhood, love and family ties. Deven Yuvvraaj (Salman Khan) is a chorus singer who is in love with Anushka (Katrina Kaif). Her father Dr. P. K.Danton(Boman Irani) does not approve of the relationship because Deven is penniless. The reality is Deven had been shunned by his rich father since 12 years and he was trying to create an identity separate from his father. Later, Deven comes to know that his father is dead. He meets Anushka’s father and tells that he will return a billionaire (because he knows he can get a stake in his father’s property).

Deven has two brothers Gyanesh Yuvvraaj [Anil Kapoor] and Danny Yuvvraaj [Zayed Khan] whom he meets after 12 years at his father’s home. The family’s legal guardian(Mithun Chakraborthy) states that the father before dying had drafted the will in which the property would go to Gyanesh Yuvvraaj. Gyanesh is an autistic patient, mentally incapable of making decisions. There is a clause in the contract that in case Gyanesh dies naturally or through accident or murder, the property will go to a charitable trust.

The ambitious brothers Deven and Danny try various means..threatening, manipulating and buttering up Gyanesh so that he would give in the wealth to them. Deven brings Gyanesh to Austria where he meets Anushka; who finds that Gyanesh has a keen talent for music. Slowly and surely, Gyanesh begins to trust in Deven and in the process; Deven also realizes that his brother is an innocent person who cares more for music than money. Danny on the other hand, becomes trapped in a credit trap, and there is no one to save his financial doom. He feels insecure and runs to his brothers. He vows to leave his philandering ways and becomes one with his brothers. The relatives who have their eyes on the property are not interested in the brothers’ union. They plot to kill Gyanesh so that the blame of the murder would fall squarely on the two brothers. How the two brothers manage to steer clear of the crisis and save Gyanesh’s life form the rest of the plot.

Plus points of Yuvvraaj:
1. Excellent music by A.R.Rahman. The numbers take the movie on a different high altogether especially the three songs “Tu hi meri dost hain”, ” Tu Muskura” and “Dil Ka Rishta” towards the climax. Choreography by Shiamak Davar for the Shano Shano number is also impressive.
2. Subhash Ghai has a penchant for larger than life cinema, and never misses a chance to shoot the grandeur and opulence.He along with cinematographer Kabir Lal catches Prague and Austria in all its beauty. The picture perfect image of Katrina Kaif playing the cello stays in your mind, even after the film is over.
3. Performances are top notch, especially by Anil Kapoor and Salman Khan. More on that below
4. Regal looking sets and interior design by Omung Kumar.
5. The ending credits a la Om Shanti Om.

Minus points of Yuvvraaj:
1. The screenplay is average at places, in fact, the story may not be outdated, but the screenplay gives the feeling. Dialogues are sadly not upto the mark, and in some cases they make you chuckle. For instance, there is a scene in which Salman Khan tells the cop that his brother is an “Indian brother” That was totally not necessary, uncalled patriotism on the play.
2. Villains Anjan Shrivastava and assortments of vamps look like they have come straight out of Ram Lakhan. Typical Subash Ghai stereotype. He needs to make some changes here.

Performances in Yuvvraaj:
Anil Kapoor pitches in with yet another power packed performance. He plays an autistic patient really well. He has worked on getting everything right, from his body language, his get up and also every single line that he mouths. Salman Khan looks inconsistent, looking super handsome in one scene and bloated in the other. But he holds the audience in awe in a couple of scenes, mainly in the last scene; where he has an emotional outburst. Katrina Kaif has not much to do, but does a neat job in whatever little she has got. One must admit that this gal is really lucky, without much of performance oriented roles, she still has managed to get hit after hit in the last couple of years. Zayed Khan tries to impress, thankfully his voice has some bass; otherwise you normally hear him squeaking in every film. Boman Irani is amusing, especially the last jig he does in the operation theatre.

Verdict: Yuvvraaj will not suit people who get their high on movies like Dhoom and Dostana. But if movies like Beta(1992) and Bhagban(2004) are something that you like naturally, then Yuvvraaj is your cup of tea. Watch Yuvvraaj in big screen purely for its aesthetic delight-visuals and music

V.S.ARUNRAJ, in his entertaining blog Bollywood Trends gives a low-down on the news, views, reviews, masala and trends of the biggest and the busiest film industry in the world-Bollywood

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18 Jan 10 Titanic movie mistakes

Some mistakes found in the movie ‘Titanic’. Such a great movie, but there are so many mistakes in it

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18 Jan 10 my TITANIC movie- behind the scenes

I’m making a Titanic movie and I thought I’d show you the places where we filmed. We are still making it.

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18 Jan 10 Movie Review – “Last Chance Harvey” Gets Quality Acting, But Suffers From Writer/Director’s Effort

Copyright © 2009 Ed Bagley

Last Chance Harvey – 2 Stars – Average

Is it possible for your two leads to be nominated for Best Actor and Best Actress Golden Globe Awards and yet your magnum opus is average at best?

Yes it is, especially if your leads are Dustin Hoffman and Emma Thompson, and the writer/director of the film is Joel Hopkins. Then you have the makings of “Last Chance Harvey”. This film is far too dark and depressing to be a romantic comedy, it feeds off of more negative than positive energy.

Last Chance Harvey is no misnomer. Harvey Shine (Dustin Hoffman) is a preoccupied person who is not comfortable to be around and hardly likeable. Most of his time is spent bemoaning his condition in life. His wife dumped him years ago. His dream job was to be a jazz pianist, but he settled for a job as jingle writer for a Manhattan advertising firm, which is about to dump him for younger talent.

His wife remarried, and his daughter is closer to her step-dad than him. Harvey has made a career of being absent by choice. Now he travels to London for his daughter’s wedding and gets a very cold reception from his ex and everyone who counts. He becomes a disaster at the rehearsal dinner, can’t wait to leave London, and informs his daughter that he will not be attending the wedding reception.

Unfortunately for Harvey, he gets caught in a traffic jam, misses his flight, and is promptly informed that he has been fired.

He finds solace in a bar after forcing himself on Kate Walker (Emma Thompson), a survey taker who has never married and is now concerned that she will become a spinster. Long story short, these two losers find just enough in each other to tolerate being together.

In short order, Kate convinces Harvey to attend his daughter’s wedding reception and he agrees as long as she accompanies him. Long story even shorter, they almost have a great time at the reception and agree to meet at noon the next day. It this scenario sounds familiar, just think “An Affair to Remember”.

Harvey, of course, doesn’t make the rendezvous because the elevator is broke at his hotel, he runs up the steps, has an attack of arrhythmia and is off to the hospital. Kate waits dutifully and is crushed when Harvey no shows, just like a sappy teen-aged girl. It never occurs to her that Harvey might have been run over by a Mack truck on his way to meet her; she assumes the worst because she follows miserable results like stepping in quicksand. Does it all work out in the end? What do you think? This is the reason you watch the film, such as it is.

It is not the acting that makes Last Chance Harvey an average film, it is the writer/director Joel Hopkins. Trust me when I say that Hopkins did his best to make this film an artistic and financial winner. In the end, it becomes neither.

Last Chance Harvey reminds me of a film Jack Nicholson made named “About Schmidt” that is just terrible.

As a movie buff and movie reviewer, I am into relationship pictures, human dynamics and the psychology of living and existing. Both Harvey and Kate as characters are written as people who exist, moan and complain rather than choosing to live a better life. It is a good thing that they found each other because misery does love company.

Harvey is simply not likeable as a character, and Kate is not much better.

Last Chance Harvey made $14 million at the box office; hardly a rip-roaring success. Other than the two Golden Globe nominations for Hoffman and Thompson (neither won), award givers avoided this film like the plague.

Hopkins lacks experience as a writer or a director, and has courted failure by trying to become both the writer and director. I am sure his ego did not give him much choice in the matter. For every wannabe that thinks they can make great films as a writer/director, there are at least 10 more who fail miserably.

Job one for Joel Hopkins is to learn how to become a good storyteller. Hopkins should study “Waking Ned Devine” by Kirk Jones and “Secondhand Lions” by Tim McCanlies. Both Jones and McCanlies are on the top of my list of great writer/directors, and neither had much experience when their talent was evident.

Waking Ned Devine was Kirk Jones’ first effort as a writer/director, and Secondhand Lions was Tim McCanlies’ second effort as a writer/director. If I had millions to invest, I would fund both Jones and McCanlies, get out of the way, and watch magic happen on the big screen.

In all likelihood, Hopkins has more talent than we have seen; he just needs to continue improving and hone his craft. And here is a postscript to start with—never name a character in a depressing movie Harvey Shine, because Harvey does anything but shine, and we are reminded about it throughout the entire movie.

Read more of my movie reviews on films with a lot of substance, depth and feeling, including:
“A Christmas Story” – “My Big Fat Greek Wedding” – “Secondhand Lions” – “The Chorus (Les Choristes in French)” – “Waking Ned Devine” – “Chariots of Fire” ? “Steel Magnolias” ? “Chocolat” and “Radio”
These are all excellent films.
Find my movie reviews at:
http://www.edbagleyblog.com
http://www.edbagleyblog.com/MovieReviews.html

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18 Jan 10 ‘Titanic’ movie theme song 1997 My Heart Will Go On – Celine Dion

My Heart Will Go On – “Titanic” 1997 movie theme song. Singer: Celine Dion. Stars: Leonardo DiCaprio, Kate Winslet, Billy Zane, Kathy Bates, Frances Fisher, Victor Garber, Gloria Stuart, Bernard Hill, Danny Nucci, Bill Paxton. Producers: James Cameron, Jon Landau. Writer-Director: James Cameron. Storyline: A rich girl (Rose) fall in love with a poor painter (Jack) on an ill-fated ship on its maiden voyage. The fictional romantic movie is based on real-life historical tragedy on 14 April 1912 …

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18 Jan 10 Movie History: if you Thought “titanic” Was the Largest Grossing Film in the U. S., Think Again

Copyright © 2007 Ed Bagley

A lot of moviegoers think that “Titanic” is the largest grossing domestic film of all time, primarily because of its huge popularity as well as topping $600+ million in revenue following its release in 1997.

In fact, Titanic was the largest grossing domestic film in actual dollars, with Star Wars a distant second at $460+ million in 1977. Because money not only talks but sings and dances as well in our society, we remain impressed by large amounts of money. Not satisfied with this approach, I looked for a more accurate measure to compare and found it in adjusting for inflation. When adjusted for inflation, the actual moneymaking value of films takes on a new look.

Titanic, while No. 1 in actual dollars generated, is only No. 6 when adjusted for inflation.

The real No. 1 largest grossing domestic film in moviemaking history is none other than “Gone with the Wind”, which grossed $198+ million in 1939 but its inflation-adjusted value in today’s money is $1.329 billion (1,329,000,000+).

Here are the Top 25 moneymaking movies when inflation adjusted:

1) Gone with the Wind – $1.329+ billion (actual gross of $198+ million in 1939).

2) Star Wars – $1.172+ billion ($460+ million in 1977).

3) The Sound of Music – $937+ million ($158+ million 1965).

4) E. T.: The Extra-Terrestrial – $933+ million ($435+million in 1982).

5) The Ten Commandments – $861+ million ($65+ million in 1956).

6) Titanic – $844+ million ($600+ million in 1997).

7) Jaws – $842+ million ($260+ million in 1975).


8) Doctor Zhivago – $816+ million ($111+ million in 1965).

9) The Exorcist – $727+ million ($232+ million 1973).

10) Snow White and the Seven Dwarfs – $717+ million ($184+ million in 1937).

11) 101 Dalmatians – $657+ million ($144+ million in 1961).

12) The Empire Strikes Back – $646+ million ($290+ million in 1980).

13) Ben-Hur – $644+ million ($74 million in 1959).

14) Return of the Jedi – $618+ million ($309 million in 1983).

15) The Sting – $586+ million ($156 million in 1973).

16) Raiders of the Lost Ark – $579+ million ($242+ million in 1981).

17) Jurassic Park – $567+ million ($357+ million in 1993).

18) The Graduate – $563+ million ($104+ million in 1967).

19) Star Wars: Episode I – The Phantom Menace – $558+ million ($431 million in 1999).

20) Fantasia – $546+ million ($76+ million in 1941).

21) The Godfather – $519+ million ($134+ million in 1972).

22) Forrest Gump – $516+ million ($329+ million in 1994).

23) Mary Poppins – $514+ million ($102+ million in 1964).

24) The Lion King – $508+ million ($328+ million in 1994).

25) Grease – $506+ million ($188+ million in 1978).

Here are 10 more eye-poppers among the Top 100 grossing films when inflation adjusted:

44) Pirates of the Caribbean: Dead Man’s Chest – $423+ million ($423+ million in 2006).

46) Blazing Saddles – $416 million ($119+ million in 1974).

55) The Passion of the Christ – $392 million ($370 million in 2004).

62) Smokey and the Bandit – $373+ million ($126+ million in 1977).

69) The Rocky Horror Picture Show – $362+ million ($112+ million in 1975).

70) Rocky – $362+ million ($117 million in 1976).

80) M.A.S.H. – $353+ million ($81+ million in 1970).

81) Indiana Jones and the Temple of Doom – $352+ million ($179+ million in 1984).

88) Pirates of the Caribbean: The Curse of the Black Pearl – $333+ million ($305+ million in 2003).

96) Sergeant York – $316+ million ($16+ million in 1941).

All figures are adjusted to the estimated 2007 average ticket price of $6.58. Some of these films had multiple releases; the release date used reflects the year of initial release.

Ed Bagley’s Blog Publishes Original Articles with Analysis and Commentary on 5 Subjects: Sports, Movie Reviews, Lessons in Life, Jobs and Careers, and Internet Marketing. Read my 3-part series on “Secrets Men Don’t Want Women to Know” and reviews on the Broadway musicals “Camelot”, “Chicago” and “The Phantom of the Opera”. These are all excellent films. Find my Blog at:
http://www.edbagleyblog.com
http://www.edbagleyblog.com/MovieReviews.html

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18 Jan 10 Titanic Movie

This Video is about the Titanic movie showing it’s unforgetable scenes. Titanic is a 1997 American disaster film directed, written, co-produced and co-edited by James Cameron about the sinking of the RMS Titanic. It features Kate Winslet as Rose DeWitt Bukater, and Leonardo DiCaprio as Jack Dawson, two members of different social classes who fall in love aboard the ill-fated voyage of the ship. The main characters and the central love story are fictional, but some characters (such as members …

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